Discover the rich tapestry of allegorical narration in 'Piers Plowman (Wordsworth Classics of World Literature): B Text.' This brand new paperback edition, published in 1999, invites readers into the profound vision of 14th-century poet William Langland. A seminal work of Middle Ages literature, 'Piers Plowman' is a masterful allegorical satire that critiques the social, political, and theological landscapes of its time. Langland’s insightful narrative unfolds as he dreams amid the captivating Malvern Hills, where he grapples with themes of morality and justice, reflecting a diverse range of contemporary issues, including the corruption within the church, especially targeting the Friars. With its alliterative verse and complex characterizations, this edition is essential for scholars and students alike who seek to delve into medieval literature and allegory's role in articulating the human experience. Featuring a rich introduction and annotations, this Wordsworth Classics edition enhances the understanding of Langland's unique voice and the socio-political context of his era. Perfect for literature enthusiasts and those pursuing a deeper grasp of alliterative poetry, 'Piers Plowman' promises to be a thought-provoking journey through medieval society and its timeless reflections on humanity. Grab your copy today and explore one of the major works of English poetry, which continues to inspire discourse and interpretation across generations.

CONDITION: BRAND NEW
Title: Piers Plowman (Wordsworth Classics of World ...
Publisher: -
Publication Date: 1999
Binding: Paperback

Details:
An allegorical satire on alliterative verse, describing the vision of the 14th-century poet who falls asleep in the Malvern Hills. Langland covers all aspects of political and theological debate, and echoing common sentiments in its satire of the corrupt church, especially the Friars.
From the Back Cover:
E. Talbot Donaldson wrote in his first book on Piers Plowman that Langland 'in his emphasis on the individual...was in advance of his own church and of his own nation--and, indeed, of himself.' Paradoxically, as Donaldson also recognized, Langland was 'a political and religious moderate' whose cast of mind was 'conservative and traditionalist.' The poem that resulted from this curious paradox presents one of the great enigmas of all English poetry, as well as one of the major works of the Middle Ages.